A movie lover’s guide to the films — and the flops — of the year.
Aaron Beatty has worked as a freelance film critic since July 2004; he started with the Connecticut Valley Spectator and later moved to the Valley News, both newspapers based in New Hampshire.
Latest by Aaron Beatty
“Breaking Bad” ended well in a mechanically seamless, loose end-averse final episode that felt right even if it was not quite the emotional powerhouse we deserved.
Are you getting sick of the endless parade of summer blockbusters? Can’t take another superhero epic? This list of under-the-radar gems is the perfect antidote.
Movies win Oscars based on box office success, critical response, and the precursor awards. Right? Yes and no. There are other, more surprising, factors at play.
Picking through some of 2012’s most celebrated movies, says Aaron Beatty, is a troubling trip back. Three films stand out as bellwethers of the year’s disappointments.
TV is the new cinema — such is the prevailing sentiment of the time. But this casual acceptance of television’s coup-d’état as fact demands a little counter-programming.